Jen Sungshine

Co-Artistic Director
Jen Sungshine is a queer Taiwanese-Canadian interdisciplinary artist, community facilitator, and cultural producer based in Vancouver, BC. She is the Co-Artistic Director of Love Intersections, a media arts collective producing intergenerational + intersectional QTBIPOC stories through documentary film and artwork. Her works include “Yellow Peril: Queer Destiny”, winner of the Gerry Brunet Memorial Award for best BC Short; and “The House of 9 Dragons”, an oral history exhibit in Chinatown. She curates public programming at The Polygon Gallery, and co-produces Hot Pot Talks, CURRENT: Feminist Electronic Art Symposium, and Seize the Means (of Production) Video Co-op.
David Ng

Co-Artistic Director
David is an interdisciplinary artist, filmmaker, activist, and academic. He is the Co-Artistic Director and Co-Founder of Love Intersections, which is an arts organization of queer artists of colour with a mandate to share intersectional stories through cultural production. He is a Research Associate for the social justice communications firm, Hello Cool World Media, and has worked closely with communities to design and develop campaigns for social change. He is also the project lead for Cultivating Kin, which is an initiative to decolonize the Canadian art system by putting Indigenous arts practices at the centre, through the leadership of Indigenous artists, supported by artists of colour. Having been a filmmaker for over two decades, his films have screened internationally at over 60 film festivals. He is currently a PhD candidate at the Social Justice Institute at the University of British Columbia.
Eric Sanderson

Cinematographer
Eric Sanderson is a maker of documentary films and videos based in Vancouver, BC. He produces, directs, and shoots short and medium-length documentaries and advocacy videos for a variety of clients. Eric is interested in projects that explore worlds outside of the mainstream, and the intersection of radical advocacy and mainstream accessibility. His style of shooting and directing emphasizes verité storytelling, with a preference for open spaces, long takes, and working with people who respect the storytelling power of a carefully-crafted image. Documentary film as a medium is uniquely positioned to interject a dose of empathy into our understanding of the world around us, and he is grateful for the opportunity to be a part of projects that foster and uplift this process. His work as a cinematographer has been shown at Oscar-qualifying international festivals and reviewed in Wired and the New York Times.
D’ARCY HAMILTON

Director of Photography
D’Arcy is a well-rounded and highly skilled Director of Photography and passionate storyteller since 2009, with experience in directing, shooting, and editing well over 100 productions. Having worked in 30 countries, as well as many small and remote communities closer to home, D’Arcy pushes the limits of technology, to tell the fascinating, engaging and heartfelt stories of real people. With experience in stop motion time lapses, aerial drone footage or gimbal work, D’Arcy is always thriving to push the limits of technology, to tell fascinating, engaging and heartfelt stories.